Mr. T says WORD TO YOUR MOTHER

June 1st, 2009

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Last week, the lastest celebrity to pick up a microphone and dumptruck their way through Take Me Out to the Ballgame at Wrigley Field was Mr. T aka Laurence Tureaud. If my first name was Laurence, and my last name was that grotesquely consonant-deficient, I would go by Mr. T too.

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But this posting is has nothing to do with him messing the booth at Wrigley- there are probably 10-thousand blogs you can read about that on. No, this posting is about another song that he sang back in the day. An ORIGINAL song by Laurence. His early work, before he sold out and went corporate. If you’ve never seen the video for TREAT YOUR MOTHER RIGHT, then you are in for a treat. I dissected this piece or work back in ’07…. but now that Laurence has picked up a microphone again, it’s time to revisit his opus.

Watch this clip, and then scroll down the analysis below. I think you’ll enjoy it. I know you will.

Let’s get into it.

Laurence, who obviously had complete creative control over this project, thought it would be a good idea to open his foray into the recording industry with a scripted, overacted confrontation between a little kid and an obese woman. It always makes me wonder how the casting call for the latter was worded, because the role clearly demanded that the actress be overweight. So if a woman came in for the part, and nailed her audition, yet was only mildly overweight- would she not get the role? “Sorry ma’am. We love you, your audition was great. It’s just… you’re not quite portly enough. You understand.” Perhaps then she promised that she would camp out at Carl’s Jr. and try to gain 15-20 pounds before the callback, but there was undoubtedly a stable of obese women in the waiting room who not only have the required girth, but are willing to objectify themselves as a fat person in exchange for the opportunity to be in a Mr. T music video. Hollywood is tough.

Anyway- the fat lady and the little kid share some painful verbal jabs. Not quite as painful as the ludicrous sequence in The Lost World when the little girl uses her gymnastics skills to drop-kick a blood-thirsy raptor, but painful. Then our hero walks in and makes like King Solomon. He explains in his own impeccable vernacular that by insulting someone’s mother, you are actually insulting every single mother on Earth. I don’t agree with this whatsoever. For example, I think Joan Crawford was a poor mother. But I don’t think that disparages, say… my friend Brad’s mom. She’s great. Love the woman. You see?

After Laurence sends the little boy and the portly woman (arm-in-arm?) away, he immediately whips out a microphone from the back pocket of his brain-hanging hotpants and starts shuffling from side to side, flanked by three “fly girls” who are actually dressed like soccer moms. Classy touch, T. Way to keep it wholesome.

Then we get to my favorite part. Laurence makes an inspired and original lyrical choice by deciding to spell out the word “MOTHER” and make it into a trainwreck of an acronym. Check this out. He says:

“M” is for the moan, and the miserable groan from the pain that she felt when I was born.
-and he pronounces the last word “bone” as only a badass black man can. But I otherwise this stanza is a pretty morbid way to begin an homage to your mother. The miserable groan??

“O” is for the oven with its burning heat, where she stood making sure I had something to eat.
Again, kind of morbid. Why does their oven have “burning heat?” Couldn’t the “O” have stood for “Open” arms that she had? Or that she was “overjoyed” when her son shaved his hair into a mohawk? I just came up with those 2 off the top of my head. Laurence worked on this lyrics for weeks and the best he could come up with for “O” is “Oven with its burning heat?” I should have been a ghostwriter for this song. And I was only 5 at the time. Moving on…

“T” is for the time that she stayed up nights, and took my temperature when I wasn’t feeling right.
I just find this line funny because I picture a 7 year-old T. with a mercury thermometer in his mouth, donning 25 pounds of gold chains, a mohawk and camoflauge banana-hammock shorts.

“H” is for the hard-earned money she spent, to keep clothes on my back and tried to pay the rent.”
First of all, this sentence doesn’t make sense. He switches tenses in the middle of it. If he just removed the words “and tried” it would make sense. Also- I wonder what his mother thinks about the clothes on his back in the video. Did any of her hard-earned money buy him those extra-long striped tube socks?

“E” is every wrinkle that I put on her face, and every worry that I caused when I stayed out late.
Here’s a bit of advice for anyone out there who is considering writing a song and shooting a rad video for your mother: Don’t include a lyric that points out all of the wrinkles on her face. “E” might as well stand for “Every pound on her rear, when she wasn’t thinking clear…”

And the last letter “R” is for respect, and the room up in Heaven I know she’ll get.
Once again, morbid. Suggests she is close to death, which judging by the myriad of wrinkles all over her face, she probably is.

I won’t even go into the montage of children showing love for their mother, including one where a little girl kisses her mother goodbye and gets jelly all over her face that’s supposed to represent the day-in-day-out hardships of parenthood. Needless to say- they’re amazing.

Just do me one favor- the next time that someone says to you “Hey did you see Mr. T sing Take Me Out to the Ballgame at Wrigley?” …tell them: “No. But I did see Laurence tell me to treat my mother right. And it’s way better.”

IN POD WE TRUST Vol. IV

May 27th, 2009

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We’re back.

If you’re loyal enough to this site, or you’re bored at work and decide to come by because Jim plugs it on the air, then you probably know that I’m prone to talking weeks and months off. My presence here is as dependable and consistent as Ricky Reiley’s on ESPN.com. And that guy gets paid to write. My only payment is the e-mails you send me- most of which just bitch and whine about me not posting anything. – like you’re trying to kick H and dry-heaving your way through withdrawal just because I haven’t posted a snarky little rant. I love it.

And better yet- I’ve got something for you. The 4th installation of the podcast series that I do with Ali Sweeney (recent photo above).

We are no longer a trilogy. And while a lot of franchises end up messing the bed when the surpass the hat trick, Star Wars for example, I happen to believe that our 4th installment is more in the vein of the 4th Rocky movie. Unarguably the best in the franchise, and arguably the finest film of the decade. So I’m feeling pretty confident about this one.

Highlights include….

-A Kenny Loggins introduction, where Ali is ushered in with the likes of Ice & Slider.

-We skewer the American Film Institute’s absurd list of the TOP 100 movie quotes of all time. Nothing from UHF or Willow? There is more Top Gun talk.

-We both get mocked for using the word “Exactly” too much. Which is exactly accurate.

-I take the American people to task for going out en masse to see FAST & FURIOUS. (we recorded this thing a month ago- but I’m still pissed.)

-Ali tries to deny that she named her daughter after a Days of our Lives character.

-I tell a whopper- yes a WHOPPER – of an anecdote about visiting an urban fast food restaurant. Not to be missed.

-Facebook and Twitter are the 7th and 8th signs of the end of the world.

-I shatter the myth of the PLayboy Mansion. If you’re a dude who looks at the Mansion as your own personal Graceland- skip this part.

-McDonald’s has the industry’s best fries and best Coke- but the other fast food niches are up for grabs.

-We wrap things up with Rock Paper Scissors deathmatch. Because that’s always compelling radio.

That’s all for now. Have at it. And then let me have it- Kyle@KyleBrandt.com

-KB